Friday, July 31, 2015

Jacques Loussier Trio - Satie: Gymnopedies / Gnossiennes

Those who know Jacques Loussier from his Play Bach Trio, where he imparts a highly personal touch to the music of J. S. Bach, may have been surprised when he attacked Antonio Vivaldi's Four Seasons last year. Now he has taken another unexpected turn with Erik Satie, Gymnopédies and Gnossiennes. This development may be seen as a kind of progression from the strict logic - albeit eminently suited to improvisation - of Bach through the more expressionistic Vivaldi to Satie, the most impressionistic of these three composers. On the face of it, Satie is perhaps easier to interpret in a jazz idiom since the original music is closer to the forms of modern jazz than that of Bach and Vivaldi. But Loussier produces an equally masterful interpretation in all cases, maintaining an exquisite balance between his own invention and the essence of the original music. Although this record carries the sub-title `Compositions of Jacques Loussier on Themes of Erik Satie', the compositions! ! are at all times recognisably Satie as much as they are Loussier. The technical showmanship associated with many of Loussier's Bach interpretations, and indeed with his Vivaldi, is here exchanged for a gentleness that pervades most of the music on the disc. The mastery of the keyboard is still there, of course, but appears more as musical expression than agility and brilliance. André Arpino on drums complements Loussier's piano as always with sensitive and imaginative percussion, while Benoit Dunoyer de Segonzac, new to the trio on bass, shows himself a worthy member of the group. If you know and love Loussier, buy this disc. If you know and love Satie, buy this disc. And if you don't know either, buy the disc anyway - it is one of the greats. - by Francis Markey, Amazon.com

Artist: Jacques Loussier Trio
Album: Satie: Gymnopedies / Gnossiennes
Year: 1998
Label: Telarc Jazz
Runtime: 51:41

Tracks:
1.  Gymnopédie No. 1 / Var. 1 4:35
2.  Gymnopédie No. 1 / Var. 2 4:32
3.  Gnossienne No. 3 4:25
4.  Gnossienne No. 6 5:22
5.  Gnossienne No. 2 4:16
6.  Gymnopédie No. 1 / Var. 3 5:03
7.  Gnossienne No. 4 7:08
8.  Gnossienne No. 5 4:12
9.  Gymnopédie No. 1 / Var. 4 4:32
10.  Gnossienne No. 1 3:52
11.  Pas A Pas 3:44

Personnel:
Jacques Loussier (Piano)
Benoit Dunoyer de Segonzac (Double Bass)
André Arpino (Drums)

Sunday, July 26, 2015

Art Farmer & Benny Golson Jazztett - Here and Now + Another Git Together

Here and Now:
The Jazztet had been in existence for two years when they recorded what would be their final LPs, Here and Now and Another Git Together. The personnel, other than the two co-leaders, flugelhornist Art Farmer and tenor-saxophonist Benny Golson, had completely changed since 1960 but the group sound was the same. The 1962 version of The Jazztet included trombonist Grachan Moncur III, pianist Harold Mabern, bassist Herbie Lewis, and drummer Roy McCurdy. It is remarkable to think that this talent-filled group wasn't, for some reason, snapped up to record even more albums together. Highlights of their excellent out-of-print LP include Ray Bryant's "Tonk," "Whisper Not," "Just in Time," and Thelonious Monk's "Ruby My Dear." A classic if short-lived hard bop group. - by Scott Yanow, AMG

Another Git Together:
Recorded at the same sessions that resulted in Here and Now, this Mercury LP was the sixth and final one that documented the Jazztet before their breakup. The group lasted less than three years, which is surprising considering the talent. The 1962 edition of the Jazztet consisted of flugelhornist Art Farmer, tenor-saxophonist Benny Golson, trombonist Grachan Moncur III, pianist Harold Mabern, bassist Herbie Lewis and drummer Albert "Tootle" Heath. This spirited and swinging set has six strong selections with the most memorable including Moncur's "Space Station," Golson's "Along Came Betty" and the standard "This Nearly Was Mine." Along with the other Jazztet dates, this LP is long overdue to be reissued in full on CD. - by Scott Yanow, AMG

Artist: Art Farmer & Benny Golson Jazztett
Album: Here and Now & Another Git Together
Year: 1962
Lanel: Mercury (Jazzplus, 2012)
Runtime: 43:58 + 35:15

Tracks:
Here and Now
1.  Tonk (Ray Bryant) 6:48
2.  Rue Prevail (Art Farmer) 4:26
3.  Richie's Dilemna (Harold Mabern) 5:10
4.  Whisper Not (Benny Golson) 5:20
5.  Just In TIme (Betty Comden/Adolph Green/Jule Styne) 5:27
6.  Ruby, My Dear (Thelonious Monk) 5:10
7.  In Love In Vain (Jerome Kern/Leo Robin) 7:12
8.  Sonny's Back (Grachan Moncur III) 4:21
Another Git Together
9.  Space Station (Grachan Moncur III) 5:17
10.  Domino (Louis Ferrari/Jacques Plante/Don Raye) 7:06
11.  Another Git Together (Pony Pointdexter/Jon Hendricks) 6:18
12.  Along Came Betty (Benny Golson) 5:32
13.  This Nearly Was Mine (Richard Rodgers/Oscar Hammerstein) 6:29
14.  Reggie (Benny Golson) 4:33

Personnel:
Art Farmer (Trumpet, Flugelhorn)
Benny Golson (Tenor Saxophone)
Grachan Moncur III (Trombone)
Harold Mabern (Piano)
Herbie Lewis (Double Bass)
Roy McCurdy (Drums)

Thursday, July 9, 2015

Orlando Cachaito Lopez - Cachaito

Buena Vista Club mainstay Orlando "Cachaito" Lopez, who is widely regarded as the best bassist in Cuba, could have taken the safe route and recorded a straightforward collection of Cuban son/Latin jazz music. The resulting album may have been a bit predictable and mild, but the high level of musicianship would have ensured a quality product, particularly considering the impressive international cast that appears with Cachaito on this album. To their credit, however, Cachaito and his colleagues were willing to take some chances. Some tracks approach a Cuban version of dub music, as Jamaican organist Bigga Morrison's Hammond prods or Cuban surf guitarist Manuel Galban's instrument reverberates while the bottom drops in and out of the mix. French DJ Dee Nasty even scratches on "Cachaito in Laboratory," a partially successful experiment that yields interesting results even though it doesn't quite gel with the rest of the album. At times the tracks seem more like studio jams than fully realized songs, but the album's overall feel -- self-assured, relaxed, warm, even somewhat jocular -- is quite appealing. The musicianship, of course, is impeccable, including the amazing rhythm section of Cachaito, Miguel "Anga" Diaz on congas, Amadito Valdes on timbales, and Carlos Gonzalez on bongos. Other highlights include Ibrahim Ferrer's cameo appearance on "Wahira," the album's only vocal track; the full orchestral string arrangements by Demetrio Muniz and horn arrangements by James Brown saxophonist Pee Wee Ellis; and "Tumbao No. 5 (Para Charlie Mingus)," which was inspired by the Mingus classic "Haitian Fight Song." - by Todd Kristel, AMG

Artist: Orlando Cachaito Lopez
Album: Cachaito
Year: 2001
Label: World Circuit
Runtime: 48:00

Tracks:
1.  Siempre Con Swing (Intro) 0:24
2.  Redencion (Israel Lopez) 4:50
3.  Mis Dos Pequenas (Anais Cruz) 4:06
4.  A Gozar El Tumbao (Israel Lopez) 2:47
5.  Cachaito In Laboratory (Orlando Lopez) 2:43
6.  Tumbao No.5 (Para Charlie Mingus) (Orlando Lopez) 7:47
7.  Conversacion (Orlando Lopez) 6:41
8.  Tumbanga (Orlando Lopez / Miguel Diaz / Hugh Masakela) 4:25
9.  Oracion Lucumi (Arsenio Rodriguez) 4:11
10.  Wahira (Orlando Lopez / Lazaro Villa) 4:54
11.  Anais (Orlando Lopez / Miguel Diaz) 3:42
12.  La Negra (Orlando Lopez) 1:30

Personnel:
Orlando "Cachaito" Lopez (Double Bass)
Carlos Gonzalez (Bongos)
Miguel "Anga" Diaz (Congas, Percussion)
Manuel Galban (Electric Guitar)
Alejandro Pichardo Perez (Guiro, Claves)
Bigga Morrison (Organ [Hammond], Clavinet)
Amadito Valdes (Timbales)
Dee Nasty (Scratching) - 5
Pedro Depestre (Violin) - 3
Pee Wee Ellis (Tenor Saxophone, Hammond Organ) - 10
Ibrahim Ferrer (Vocals) - 10
Juan de Marcos Gonzales (Tres) - 10
Rafael Jenks (Tenor Saxophone) - 6
Hugh Masakela (Flugelhorn) - 8
Yaure Muniz (Trumpet) - 7
Johnny Neptumo (Tres) - 9
Jesus Ramos (Trombone) - 2,8
Policarpo Tamayo (Flute) - 2,7
Si Burwell (Keyboards) - 7
Jose Castaneda (Tres) - 11
Junior Dan (Bass Guitar) - 3,8
Roberto Fonseca (Piano) - 12
Tony Remy (Electric Guitar) - 11
Filiberto Sanchez (Bongos) - 11
Javier Zalba (Baritone Saxophone) - 12

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