Sunday, May 22, 2011

Dave Brubeck - Time Further Out

Time Further Out extends upon the concepts first enunciated on the Brubeck Quartet's surprise hit Time Out, but in this case with the organizing principles involving the leader's varied compositional treatments of the blues--traditional and otherwise. Thus a darkly ruminative tune such as "Bluette" treats a fairly standard 12-bar form in a very non-standard manner, interpolating a variety of classical devices that suggest the melodic influence of Chopin and the contrapuntal devices of Bach in its treatment, with a yearning alto solo from saxophonist Paul Desmond that suggests the emotional content of a blues, without specifically referring to standard devices. As if to italicize his band's mastery of polymeter, pianist Brubeck treats the fifth, sixth, seventh, eighth, and ninth tunes in corresponding meters, to particular effect on the 7/4 hoedown of "Unsquare Dance," the 8/8 barrelhouse changes of "Bru's Boogie Woogie" and the engaging dissonances of his 9/8 mood piece "Blue Shadows in the Street." And on "Far More Drums," drummer Joe Morello displays a mastery of 5/4 metric variations and African-styled polyrhythms that was unheard of for that time, save for percussive grandmasters such as Max Roach. - by Chip Stern,

This is absolutely as good as the Brubeck Quartet -- and modern "intellectual" jazz -- gets; not to slight the Carnegie Hall Concert in any way, but this is one case where the form, clarity, and concision required in the studio trumps the live format every time. Much looser and less self-conscious than "Time Out", "Time Further Out" finds the guys light years more comfortable with the odd time signatures they must certainly have realized (and accepted!) would become their main claim to fame, as well as with each other (Desmond was originally quite put out that Morello had demanded to be a "featured" drummer instead of a faceless time-keeper) -- and the results are obvious. This is only peripherally "intellectual" jazz; the Quartet is now expressing itself emotionally and spiritually through those odd time signatures ... it ain't just a gimmick no more, Sports Fans! It flows, it rocks, it scales lofty peaks -- yeah, ol' ham-handed Dave is still pounding out those block chords; Paul is still smoother than silk or any other sax-man that ever lived; Gene is still running the voodoo down and Joe is still ... Joe: but the individuals have melded their sounds and their personalities, here, and the music is otherworldly, heaven-sent, and relentlessly listenable even to non-aficianados. Put it on for your girlfriend, sometime, don't make a big speech or anything, just let ot percolate through the room, and see where THAT gets you ... ! A word about Joe Morello. I'm a drummer myself, and many favorites have come and gone since I first heard him play "Take Five" on my daddy's hi-fi -- but he's the one drummer in the world I have never gotten over and never will. Buddy Rich blazes, Krupa stokes those fires down below, Max Roach'll make you think intricate interlocking thoughts; hell, even Ron Bushy (the "In-A-Gadda-Da-Vida" guy) and John Bonham and Terry Bozzio deserve the attention they recieved. The current crop of jazz meisters have chops and technique far beyond the abilities of mortal men -- But nobody -- NOBODY -- tells a story like Joe Morello. Nobody makes 'em talk like that, makes 'em sing like that, or puts you somewhere out in the jungle listening to four or five hand-drummers having an honest-to-god conversation. You know how Eric Clapton never tries to fast-talk you on guitar? That's how Morello is on drums. Back in '61, drum construction had not yet gone all-maple-plies-and-razor-sharp-bearing-edges; the base was still the African mahogany of Krupa's day, mixed with a little poplar, and the sheer sound, the deep, mellow tone, of those drums is one reason folks will still be listening to solos from pre-1970 long after those who played them have left the planet. Morello doesn't have to hit you over the head with speed or technique -- just let the drums speak for themselves. Seductive, mon, seductive ... - by Clicdawg,

Artist: Dave Brubeck Quartet
Album: Time Further Out
Year: 1961
Label: Sony/Columbia (1996)
Runtime: 47:27

1.  It's a Raggy Waltz 5:15 
2.  Bluette 5:23 
3.  Charles Matthew Hallelujah 2:53 
4.  Far More Blue 4:39 
5.  Far More Drums 4:01 
6.  Maori Blues 3:55 
7.  Unsquare Dance 2:02 
8.  Bru's Boogie Woogie 2:30 
9.  Blue Shadows in the Street 6:36
10.  Slow and Easy - A.K.A. Lawless Mike 3:30 
11.  It's a Raggy Waltz - Live at Carnegie Hall 6:37 
All compositions by Dave Brubeck

Dave Brubeck (Piano)
Paul Desmond (Alto Saxophone)
Eugene Wright (Double Bass)
Joe Morello (Drums)


  1. Muchas Gracias Amigo, un Abrazo Fuerte desde Argentina !!

  2. Thanks! I've been looking for this for a long long time.

  3. Completing my collection, great! tks

  4. Por favor, qual a senha para efetuar o download deste arquivo?

  5. Muchas gracias

  6. thanks for updating



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